L.A. REID~StEps DoWn As PrEsiDent Of DEf JaM

L.A. Reid has officially stepped down from his post as President of Def Jam. In a letter to his staff sent out today, he boasted how proud he is of his roster of talent, and says he has decided to leave his position.

TheYBF.com was the first to break the story yesterday–clearly more than 4 hours before a certain mainstream site blatantly stole our exclusive virtually word-for-word and posted it as their exclusive with no credit–that Mr. Reid has been tapped to judge Simon Cowell’s new U.S. “X-Factor” show. And he would have to step down from his position at the conflicting label. Read on for deets…

An era is ending over at Def Jam as head honcho L.A. Reid is stepping down. We broke the story months ago, in addition to yesterday, that L.A. would be leaving his post. And now, he has made it official via a memo to his staff today:

“Great leaders are almost always great simplifiers, who can cut through
argument, debate and doubt, to offer a solution everybody can understand.”

“To my Island Def Jam family: After much consideration, I have decided to leave my position as Chairman of the Island Def Jam Music Group.

“I have always thrived on growth and the next great challenge, and I look forward with much enthusiasm to what the future holds.

“I am extremely proud of our beautiful roster and all we have accomplished in my seven years with IDJ. We continue to have incredible success together with today’s most phenomenal superstars – Rihanna, Justin Bieber, Mariah Carey (she reportedly will follow L.A.), Kanye West, Bon Jovi, Jennifer Lopez, Ne-Yo, Rick Ross, The Killers, The-Dream, Chrisette Michele, Jeezy and Ludacris to name a few.

“I want to thank all of you for your amazing contributions.

“With Warm Regards –
LA”

An announcement about L.A.’s new judging duties with the Sony affiliated show “X-Factor” should come very soon in the coming weeks. Congrats and good luck to Mr. Reid. Deuces.

[MUSIC SWAG & LIFE]

~TB

MUSIC BIZ~CHRIS HICKS EVP DEF JAM “INTERVIEW”

When did you know that you wanted to work in the music business?
My parents started to really expose me to music when I was a toddler. Deciphering early James Brown and Stevie Wonder records is how I learned to read. I had a “jones” for it early. By my late teens, I knew it was what I wanted to do; I just needed to figure out how. College led me into promoting, where I almost lost everything. Atlanta was simultaneously building a thriving music scene that I ultimately settled into as a manager, production company and publisher.

What was your first industry job?
I was hired as VP of Urban A&R of Warner/Chappell by Rick Shoemaker in June 2004. I had a successful venture (Noontime) with Warner at the time. Warner was at a crossroads with regards to their involvement in urban music, and I wanted to learn the business from a cooperate perspective. We struck a deal that allowed me to come into the company as well maintain the venture. He gave me autonomy to create a plan that ultimately reestablished Warner in urban music. Shani Gonzales, who started out as my assistant, and I were the urban music department at Warner. During my four years running Warner Urban, we signed The-Dream, Danja, T.I., Lil Wayne and Bryan Cox, among several others, and charted over 100 Top 10 records. And I was fortunate to have tremendous support. Richard Blackstone was a great boss, Dave Johnson was a great boss and Kevin Liles, who worked in corporate, was always supportive, especially during the Timbaland catalog acquisition.

If you knew then what you know now, would you have done anything differently, and what would you say to others coming up now?
LEARN THE BUSINESS!!!! Looking back at it, the initial joint venture deal I structured with Warner was probably the worst deal I have EVER done. My ignorance could have resulted in never actually controlling or owning the assets I worked so hard to build. My success at the company gave me an opportunty to later right that mistake, but it could have easily had a different result.

Was there one artist or experience that inspired you to follow this path?
There are many. Puff, L.A., Lyor, Mary J, Jay-Z, Jimmy, Azoff, Benny Medina… I could go on. While they all have different styles, different skill sets, they all have one common denominator. They don’t play “not to lose”; they play to “win.” They don’t follow a rulebook. They have already created the vision in their head and are simply relentless in pursuing it. If that doesn’t motivate someone…nothing will.

What motto or mantra do you live by, and what do you tell your artists when you start working with them?
The are two that I swear by. One, this is a marathon, not a sprint. The same people you see on the way up, you see on the way down. Be humble and be considerate. Two, set goals. This is an industry that can easily distract you with fame and money. Don’t put the cart before the horse. Set and meet your goals, and everything else will follow.

What’s next for urban music?
I think what’s next for music period is that the color lines are going away. Working with Justin [Bieber] is a perfect example of that. He was a 14-year-old kid from Stratford who would have been stereotyped as pure pop. Yet his albums are a blend of melodic and rhythmic R&B that affords him the ability to touch a melting pot of consumers who can appreciate what he offers musically.

Last question: black licorice or red?
Red!!!

[MUSIC SWAG & LIFE]

~TB